Anime dates back to the birth of Japan’s film industry in the early 1900s and has emerged as one of Japan’s major cultural forces over the past century.
Another major hit, Macross (which arrived in 1982), was transformed along with two other shows into Robotech, the first anime series to make major inroads on home video in America. Mazinger Z showed up in many Spanish-speaking countries, the Philippines, and Arabic-speaking nations.
That plus the start of widespread TV syndication of many more popular anime titles in English dubs— Sailor Moon, Dragon Ball Z , Pokémon— made anime that much more readily accessible to fans and visible to everyone else.
It wasn’t until after WWII—in 1948, to be precise—that the first modern Japanese animation production company, one devoted to entertainment, came into being: Toei. Their first theatrical features were explicitly in the vein of Walt Disney’s films (as popular in Japan as they were everywhere else). One key example was the ninja-and-sorcery mini-epic Shōnen Sarutobi Sasuke (1959), the first anime to be released theatrically in the United States (by MGM, in 1961). But it didn’t make anywhere near the splash of, say, Akira Kurosawa’s Rashōmon, which brought Japan’s movie industry to the attention of the rest of the world.
1963 heralded Japan’s first major animated export to the U.S.: Tetsuwan Atomu —more commonly known as Astro Boy. Adapted from Osamu Tezuka’s manga about a robot boy with superpowers, it aired on NBC thanks to the efforts of Fred Ladd (who later also brought over Tezuka’s Kimba the White Lion ).
It also created a new submarket of animated product, the OAV (Original Animated Video), a shorter work created directly for video and not for TV broadcast, which often featured more ambitious animation and sometimes more experimental storytelling as well.
But due to the rise of Japanese nationalism and the start of WWII, most of the animated productions created from the 1930s on were not popular entertainments, but instead were either commercially-oriented or government propaganda of one type or another.
A manga spin-off of the immensely popular light novel series Mahouka Koukou no Rettousei (The Irregular at Magic High School), Mahouka Koukou no Yuutousei (The Honor Student at Magic High School) follows the events of the original series as seen through the eyes of Miyuki Shiba, Tatsuya's sister.
Kiyo and Sumire came to Kyoto from Aomori Prefecture, dreaming of becoming maiko. But after an unexpected turn of events, Kiyo starts working as the live-in cook at the Maiko House. Their story unfolds in the Kagai, the Geiko and maiko district in Kyoto, alongside their housemate maikos.
ComedyKids. Nintama Rantarou. Rantarou, Shinbei and Kirimaru are ninja apprentices in the Ninja Gakuen, where first grade ones are called "Nintamas" (contraction of the words ninja+tama (egg)). They must learn everything a ninja must know, but as for our heroes, money, food or playing are more interesting.
The story follows four girls who work at PARK, based on a real store in Harajuku that follows the theme of "Fashion × Otaku × Creation. ".
Fumetsu no Anata e. An Orb, known only as It, is cast to Earth to be observed from afar. Capable of changing forms from beings whose reflections It captures, It first becomes a rock and then, due to the rising temperature, moss. It is inept of movement until one snowy day, a wolf at death's door barely crosses by.
Taking place several years after Getter Robo Go, Earth is now a post-apocalyptic world. Hayato, now an aging scientist, has completed Professor Saotome's masterpiece, Getter Robo Arc. Piloting it are Ryoma's son Takuma, the human-dinosaur Kamui, and the younger brother of Tayel, Baku.