Though anime music was formerly influenced by J-pop and visual kei music, Japanese indie music apparently influenced the genre at the 2006 FanimeCon. In 2007, after sampling voice actress Saki Fujita's voice to develop it, Vocaloid Hatsune Miku was released, and many songs featuring Hatsune Miku were shown on the Nico Nico Douga.
These songs are not always pop in genre. There are rock-themed anisong, folk-themed anisong, and even hip-hop-themed anisong. In that sense, the genre is defined by the common denominator of the songs being used in an anime, not by the musical genre of the performers themselves.
Music and Japanese anime have always been intertwined. The intro and end credits are always accompanied by a song – usually one that embodies the show or film’s worldview. In the ’60s anime developed into a musical genre in its own right, evolving into what is now one of the most popular types of Japanese music out there.
"Anime" J-Pop is not really a fully separate genre compared to "normal" J-Pop, so unsurprisingly there are plenty of unused songs out there that would work great in anime openings/endings without any problems. Well, for example, there is a track on ELISA's third studio album Lasei that is called 機械仕掛けのシンデレラ ("Mechanical Cinderella").
Eventually, J-pop replaced kayōkyoku ("Lyric Singing Music", a term for Japanese pop music from the 1920s to the 1980s) in the Japanese music scene. The term was coined by the Japanese media to distinguish Japanese music from foreign music, and now refers to most Japanese popular music.
Japanese pop musicAnime song (アニメソング, anime songu), also shortened to anison (アニソン), is a genre of music originating from Japanese pop music. Anime songs consist of theme, insert, and image songs for anime, video game, and audio drama CD series, as well as any other song released primarily for the anime market, including music from ...
Pop musicJapanese skaJ-pop/Parent genres
Since the early 1990s, the term “J-pop” has come to define music by singers and musical groups outside of the hard rock, metal, punk, and electronic music genres: pop bands and pop stars, boy bands, and girl groups, and some performers from the hip-hop and rock worlds.
The main difference between J-pop and K-pop music videos is their focus. J-pop music videos often highlight the beauty and cuteness of the idols, while K-pop music videos sometimes contain storylines that boggle the fans' minds. Furthermore, K-pop music videos have several versions to appeal to international audiences.
Today, we talk about the Korean wave. But back then, it was the Japanese wave. DARLING-WOLF: Before K-pop, there was J-pop.
K-Pop's biggest boy band has the highest number of Twitter engagements in the world. Compare the two biggest players in each league: AKB48 for J-Pop, BTS for K-Pop.
As of April 2019, the group has sold over 60 million records, including over 6 million albums. At least 35 AKB48's singles have topped the Oricon Weekly Singles Chart, with at least 30 singles selling over a million copies each, making the group the highest selling musical act in Japan in terms of singles sold.
In 2019, there were over 3,000 female idol groups. From 2013 to 2018, boy band Arashi was ranked as the most popular artist overall in Japan according to Oricon polls of 20,000 people.
This eventually lead to the establishment of modern Japanese pop music, known as kayōkyoku .
Japanese rock. J-pop ( Japanese: ジェイポップ, jeipoppu; often stylized as J-POP; an abbreviated form of " Japanese popular music "), natively also known simply as pops (ポップス, poppusu), is a musical genre that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional Japanese music, ...
The Ventures visited Japan in 1962, causing the widespread embrace of the electric guitar called the " Ereki boom". Yūzō Kayama and Takeshi Terauchi became famous players of electric guitar. In 1966, the Beatles came to Japan and sang their songs at the Nippon Budokan, becoming the first rock music band to perform a concert there. The public believed that the Beatles would cause juvenile delinquency. The Japanese government deployed riot police against young rock fans at the Nippon Budokan. John Lennon felt that they were not well regarded in Japan, but Beatlemania has never really died there. The Beatles inspired Japanese bands, creating the group sounds genre in Japan.
Dissatisfied with Chairman Mao Zedong 's new music policies, a number of Shanghainese jazz musicians fled to the British colony of Hong Kong and established Cantopop, which is pop music sung in the Cantonese dialect of Chinese.
In the mid-1950s, "Jazz Kissa" (ジャズ喫茶, Jazu Kissa, literally "Jazz cafe") became a popular venue for live jazz music. Jazz had a large impact on Japanese poppusu, though "authentic" jazz did not become the mainstream genre of music in Japan.
Due to pressure from the Imperial Army during the war, the performance of jazz music was temporarily halted in Japan. Hattori, who stayed in Shanghai at the end of the war, produced hit songs such as Shizuko Kasagi 's "Tokyo Boogie-Woogie" and Ichiro Fujiyama 's "Aoi Sanmyaku" (lit. "Blue Mountain Range").
In the 1970s, the popularity of female idol singers such as Mari Amachi, Saori Minami, Momoe Yamaguchi, and Candies increased. Momoe Yamaguchi was one of the first kayōkyoku singers to use the special pronunciation characteristic of J-pop.
What Is J-Pop? J-pop, an abbreviated term for Japanese pop or Japanese pop music, is a musical genre that has been a part of Japanese pop culture since the mid-twentieth century. J-pop applies to various music genres, from jazz and vocal ballads to pop-rock and folk, and “idol pop,” which features the highly polished and aggressively marketed ...
Instructors. J-pop, or Japanese pop, is an eclectic genre of music from Japan that dates back to the 1950s.
Marketing: J-pop groups tend to record a series of single tracks, or singles—instead of compiling a studio album—and then choose a single track as the lead single. J-pop singles are typically featured on a compilation album, often with an alternate “album mix” to generate sales for both the single and record.
The J-pop music scene grew exponentially larger in the 1990s, thanks in part to groups like B’z and Mr. Children, which generated platinum sales with their band-oriented sounds.
Ryukoka was supplanted by enka, a sort of emotional balladry, and kayōkyoku, a more polished and reserved variant, until the late 1950s, when popular music from the West, like rock and roll and rhythm and blues, began to infiltrate the Japanese music scene.
Japanese popular music, called ryūkōka before being split into enka and poppusu, has origins in the Meiji period, but most Japanese scholars consider the Taishō period to be the actual starting point of ryūkōka, as it is the era in which the genre first gained nationwide popularity. By the Taishō period, Western musical techniques and instruments, which had been introduced to Japan in the Meiji p…
The origin of modern J-pop is said to be Japanese-language rock music inspired by the likes of The Beatles. Unlike the Japanese music genre called kayōkyoku, J-pop uses a special kind of pronunciation, which is similar to that of English. One notable singer to do so is Keisuke Kuwata, who pronounced the Japanese word karada ("body") as kyerada. Additionally, unlike Western music, the major second (sol and la) was usually not used in Japanese music, except art music, b…
Some Japanese pop artists are extremely popular in Japan, and some also have fanbases in other countries—especially in Asia, but also in Western countries. They influence not only music, but also fashion. As of 2016, the top five best-selling artists in the Japanese Oricon charts history are B'z, Mr. Children, Ayumi Hamasaki, Southern All Stars, and DREAMS COME TRUE. Among the five, Hamasaki holds the record for being the only solo artist.
• Cool Japan
• Culture of Japan
• Japanese hardcore
• Japanese ska
• List of J-pop concerts held outside Asia
• Buckley, Sandra (2002). Encyclopedia of Contemporary Japanese Culture. Taylor & Francis. ISBN 978-0-415-14344-8.
• Atkins, E. Taylor (2001). Blue Nippon: Authenticating Jazz in Japan. Duke University Press. ISBN 978-0-8223-2721-9.
• Minichiello, Sharon (1998). Japan's Competing Modernities: Issues in Culture and Democracy, 1900-1930. University of Hawaii Press. ISBN 978 …
• Buckley, Sandra (2002). Encyclopedia of Contemporary Japanese Culture. Taylor & Francis. ISBN 978-0-415-14344-8.
• Atkins, E. Taylor (2001). Blue Nippon: Authenticating Jazz in Japan. Duke University Press. ISBN 978-0-8223-2721-9.
• Minichiello, Sharon (1998). Japan's Competing Modernities: Issues in Culture and Democracy, 1900-1930. University of Hawaii Press. ISBN 978-0-8248-2080-0.
• Recording Industry Association of Japan (RIAJ) (in English)
• J-Pop at SKY.FM - A free J-Pop radio channel
• A concise history of Japan's City-Pop
• Warner Music Japan | Mariya Takeuchi (in Japanese)