Like all fine art, animation cels must be framed using preservation grade acid-free and lignin-free matting and ultraviolet protective glazing to help protect their delicate colors. Due to the fragile nature of this art, which could be damaged in an accident, we strongly recommend ultraviolet protective acrylic
Poly(methyl methacrylate), also known as acrylic, acrylic glass, or plexiglass as well as by the trade names Crylux, Plexiglas, Acrylite, Lucite, and Perspex among several others, is a transparent thermoplastic often used in sheet form as a lightweight or shatter-resistant alternative to glas…
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When deciding on glass, make sure it’s ultraviolet light-protected, meaning the glass blocks any UV lighting that can permanently damage and discolor the animation cel. This is also recommended to help keep the brilliant colors within the animation safe as well.
The following tips will help you get an idea for the correct way to frame, select glass for, and mount the animation cel. A proper frame for an animation art cel will allow the cel to expand and contract as the temperature and humidity fluctuate. For this reason, it’s important that you don’t secure all four sides of the cel.
Animation cels are particularly vulnerable to drastic temperature and humidity changes. The cel can crack or peel from these extreme changes or even from pollution and ultraviolet lighting. As a result, it’s recommended that animation cels be reframed, remounted, and have their glass and matting changed every few years.
Cels (or celluloid) are painting on transparent plastic sheet used to create an animation. Each cel is one "frame". They are filmed and then put behind one another to give the illusion of a continuous motion. How cels are created ? There are many steps involved in the creation of an anime but I will just explain how cels themselves are created.
0:1513:24Framing an animation cel - YouTubeYouTubeStart of suggested clipEnd of suggested clipSo the front cell this side it's just plastic you can touch it it doesn't affect anything the backMoreSo the front cell this side it's just plastic you can touch it it doesn't affect anything the back is where they paint it so that's all the paint. Um you don't want to touch that or scratch. It.
Like all fine art, animation cels must be framed using preservation grade acid-free and lignin-free matting and ultraviolet protective glazing to help protect their delicate colors.
What's a douga ? Douga are the "usual" drawing that comes with many cels when you buy them. They are used to make the cels. Are cels always sold with their matching drawing (douga) ?
Traditional cel animations may have been replaced by CGI and other digital animation techniques, but you can still create a cel animation today.
As a result, it's recommended that animation cels be reframed, remounted, and have their glass and matting changed every few years. Most importantly, it's essential that you choose an archival-quality frame to protect this valuable art.
0:349:22How to Frame and Care for Cels - YouTubeYouTubeStart of suggested clipEnd of suggested clipWe use Dupre Plexiglas. Best specifically instead of art glass. Because. When you're dealing withMoreWe use Dupre Plexiglas. Best specifically instead of art glass. Because. When you're dealing with cells. If the glass breaks. And. It can cut the plastic.
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Following a planning process, animators transfer draft drawings onto transparent sheets of plastic called cels. Each cel features one drawing with an outline on one side of the plastic and the color is filled in on the other. These 'cels' are then placed over a background and photographed in sequence.
Disney studios stopped using cels in 1990 when Computer Animation Production System (CAPS) replaced this element in their animation process, and in the next decade and a half, the other major animation studios phased cels out as well.
1 Time Consuming. Animators draw individual frames for each scene. ... 2 Correcting mistakes. A mistake in traditional animation requires you to repeat the whole drawing instead of deleting and correcting a mistake. ... 3 Costs. Traditional animation requires a numbers of tools and equipment per production. ... 4 Lack of a market.
Anime is almost entirely drawn by hand. It takes skill to create hand-drawn animation and experience to do it quickly.
Other ideas sometimes used for animation cels are backlit frames and double-glazed (double-sided) frames. Ask one of our picture framers to show you how to get ...
Animation celluloid. Animation cels (short for celluloid) are generally limited, and often very valuable. Whether you managed to score a frame of your favourite scene, or character, it’s important to have the piece framed, both so you can display it framed in your home, and also so that it can be preserved in the framing.
Cels not used in production, usually limited editions and sometimes printed in a lithograph process instead of hand-painted originals, often don’t require a full custom framing process with high-level conservation.
Since animation cels are painted on both sides of each layer, they need to be matted on both sides to insure sufficient air space between them. This precaution not only aids the preservation of the paint, but also allows dramatically sets off the layers, giving them a 3-D effect.
Collectible animation cels are fragile and require special handling and framing. Animation cels, or celluloids used in film production prior to computer animation, are transparant sheets of cellulose on which pictures were outlined with ink on one side and then painted by hand on the reverse. Since the introduction of computer animation, animation ...
They should not be hinged to their backings. Instead, we use no adhesives on the cels and recommend the use of edge strips that gently hold the layers in place.
Animation cels, however, were not created to be permanent. Adhesives used in the paint, for example, helped the paint stick to the cellulose, but also increased the likelihood that the paint would stick to the background or other cel layers.
In general, the less you handle any form of artwork, the longer it will last. Make sure that your hands are clean. If they are greasy (ie. -- your natural body oils have built up a little,) wash them throughly with soap, and make sure your hands are completely dry. Hold the art work by the corners, or edges.
If you just want to keep your artwork in storage (either as an investment, or because you don't want to display it any more,) do not stack lots of cels on top of each other.
If you are buying a cel as an investment, there are certain guidelines that animation collectors follow that you should be aware of.
Caveat: As with anything, animation artwork has a value as long as the series, movie, or director remains popular. And while at least one person wants to buy your artwork for more than you payed for it. When the popularity fades, the value will decrease. Further, while demand exceeds supply, you can dictate your own terms.
Animation art is very easy to forge. And it's a real problem when you realize that a Disney Little Mermaid cel can go for $7000, and can be forged at a probable cost of $100.
Animation art is animation art, regardless of whether it's a cel of Scooby Doo, Hammmerman, Bugs Bunny, Mickey Mouse, or your favorite giant robot. The guidelines for handling, storage, and presentation are the same.
A bunch of sheets of paper with little panels that contain the basic action of the film, suggestions for character positioning and action, and accompanying dialog. If you can get your hands on the original pencil copy of the storyboards, you'll have a one-of-a-kind original. It's very easy to xerox these, so xeroxes aren't worth much.
It is said, that only animators with 10 years of experience are allowed to draw "key cel". But I personally don't agree with that : Often, because of the position of the characters, the first and last cels of a sequence won't be the nicest one, even if they may be technically better...
What's a machine made cel (laser copy) ? Machine made cels (or laser copy) are more similar to laminated cards than to real cels. They are not hand-painted but printed with a machine over a transparent plastic sheet.
For that reason, it's very important to keep them out of sunlight. When storing them, you can use office binders. Also, you shouldn't stack too many cels or put something heavy over them : that's bad for the paint.
Are cels always sold with their matching drawing (douga) ? No, not always. It all depends of the studio that produced the anime. For example, AIC decided, a few years ago, to never sell their cels with the matching drawing.
They are then used as model by other animators to draw douga. A genga is never used directly to make a cel and is usually not available for sale. It's also possible to find drafts of genga (rough sketch) but usually they are not available on the market. Genga and their drafts are much more valuable than douga.
Not all types of anti-UV glasses filter the same amount of UV. Also many are not fully transparent and will give a slight green or yellow hue to the cel. So check before if that bother you or not. There is also some spray that can be used to give an anti-UV coating to a normal glass.
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